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By David Lindsay-Abaire
Directed by Kaarin Fairfax 

Australian Premiere 

Is opportunity granted or earned? Is it possible to start life over? 

Following a successful run on Broadway last year, Good People, the latest play from Pulitzer Prize winner David Lindsay-Abaire (Rabbit Hole) is set to make its Australian premiere at Red Stitch Theatre. 

Welcome to South Boston, or Southie as it’s affectionately referred to by its loyal residents - working class folk striving to make ends meet. 

Margie is one of those residents, laid off from yet another job, she just can’t seem to catch a break. 

Wry, rough around the edges and ready to make a change, she goes to seek out the one who got away, both from Southie and from her. 

But can this old flame be her ticket to a fresh start? 

Drawing a line between white collar and working class Boston, Lindsay-Abaire ponders the fate of those who break out and those who get stuck. 

Is it a personal choice or is our destiny in the hands of sheer dumb luck? 

Set in the neighbourhood where he grew up, Good People is particularly personal to American playwright and lyricist Lindsay-Abaire, who brings his signature humour to this tough and tender new work. 

Lindsay-Abaire’s repertoire includes the intensely emotional Rabbit Hole, which Red Stitch premiered in 2007 receiving a Green Room Award nomination, and the mischievously humorous Shrek the Musical, which he was nominated for a Tony Award. 

Acclaimed Australian actress and award-winning director, Kaarin Fairfax returns to Red Stitch where she won a Green Room award for her direction of Uncle Bob in 2002. 

Good People will feature Red Stitch ensemble members Olga Makeeva, Dion Mills and Andrea Swifte alongside guest actors Alexandria Steffensen, Jane Montgomery Griffiths and Rory Kelly.


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Good People Reviewed by Chris Boyd at The Australian, 9 February, 2012

An anthropologist backtracking through the high points of US stage drama would probably end up back in Europe with Ibsen.

Good People Reviewed by Elly Varrenti at The Age, 9 February, 2012

Good People explores its territory with an entertaining and keen mix of disinhibited humour and a sociologist's eye for the relationship between birth and destiny, class and fate, good and bad.

Good People Reviewed by Kate Herbert at Kate Herbert Theatre Reviews, 9 February, 2012

Some people dig a tunnel and escape from their tough neighbourhoods, down at heel families and deprived childhoods to forge a new life, while others get stuck in the land of lost opportunities.


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